It was stacked above the slider, spending a whole row on a number that fits
next to one — and on a tile with ticks that made three rows for one control.
Held to the control's own height so it sits on the track's midline.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
A port may now declare `image`, `audio` or `video`. Each is the artifact
reference the engine already had, narrowed by the `media_type` on it, so a
speech recogniser declares what it eats rather than taking any bytes at all and
finding out. Bytes still never travel as a message and nothing on the wire
stops being JSON: a camera publishes one reference per frame, a microphone one
per chunk, and a reference may carry a `meta` dict nothing here interprets.
Streaming media is therefore an ordinary streaming port — with one change to
what that means. An emission used to journal an item with no payload, so
downstream read whatever was current when the item was claimed; a consumer
slower than its producer saw only the newest chunk and the ones between were
lost. That is right for a training curve and wrong for a second of speech, so
an emission now journals a `kind="emission"` item carrying its values, and the
executor hands them to the nodes reading that message instead of writing them
to state again. The value in state stays the latest, which is what everything
else reads, and the wave is filtered by what actually changed rather than
walking everything reachable. No queue serialization change — the existing
`outputs` field carries it.
Continuous media makes the store's missing GC a real problem, so this closes
it: `sweep_artifacts` runs hourly, keeps every digest a `run_artifact` row
records or a live message holds, spares anything written in the last hour, and
stands aside entirely while a run is in flight, since a node may store a
checkpoint long before it returns the reference to it. That also collects the
orphans a deleted flow has always left behind. `ARTIFACT_GC_INTERVAL_S=0` turns
it off.
Around the edges: `GET /artifacts/{digest}` serves the media type the caller
passes and answers ranged requests, so a browser plays a clip rather than
downloading it; `PUT` spools to disk instead of holding the whole body in
memory, as does `save_artifact` given a path; a Media widget draws whatever its
message points at, and a wall panel may fetch the bytes its own tiles are
showing and nothing else; and a connector gets `save_artifact`, for a device
whose readings are bytes.
What this cannot do is live video: a frame every second or two is a glance, and
the honest answer above that is the camera's own stream, which the widget takes
as a URL and the browser plays from source.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
A dashboard whose canvas matches the screen came out at 95% of it: the
panel and view routes inset the canvas by a further 16px, on top of the
margin the grid already keeps from its own edges. Two margins, one of
them costing the scale. The padding now applies only to the stacked
phone layout, which has no canvas to shrink.
A slider's tick labels are the third row of a control that has three,
and the first thing a short tile runs out of; `ticks: false` drops them
and keeps the reading and the track. The house's two sliders set it.
The 1024x600 preset is named for what it is rather than for a diagonal
it may not have — the same resolution is sold as a seven-inch panel and
as a ten-inch one.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_012n6CehUsHYYUXJ48rxaD18
The gates have never gone green on the new runners. Three separate reasons:
- backend/Dockerfile shipped Python 3.10 while the code imports typing.Self
and datetime.UTC, so the container exited on import and the suite could not
even load its conftest. The image moves to 3.13 and the packages declare
>=3.12, which is the floor the tests actually pass on; ruff's target follows
and rewrites timezone.utc and asyncio.TimeoutError accordingly. Relocking
drops the 3.10 branch, which bumps FastAPI and so regenerates the SDK.
- frontend/README.md had no trailing newline and two dashboard widgets used
arbitrary text-[…] sizes. Both are em-relative on purpose, so they move to
the inline style the neighbouring ramp already uses.
- Every commit left its own run queued: without a concurrency group a runner
that was offline for a while works through a backlog nobody reads. A stack
that fails to come up now prints its logs before the teardown removes it.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Five things a wall panel showed that a wall panel should not.
**A tile's body no longer clips.** It scrolled, and a box that scrolls
also cuts whatever crosses its edge — which took the glow off a lit
button at exactly the width where the button filled its tile, and off a
gauge's arc at exactly the height where the dial filled its own. Only
what is written or listed asks for a scroller now; everything else is a
picture drawn to fit, and what overflows is left to the frame, which
clips at the tile's edge where a shadow has already faded out. The
slider's phantom scrollbar goes with it.
**The selector is a selector.** Named for what it does rather than what
it is, and the choice it is holding is held in the dashboard's own
primary — a pill that slides between the options rather than a grey one
that had to be looked for. The stored type is untouched, so no document
changes meaning.
**The arrangement is held off the panel's edges**, by the same distance
it holds between two widgets. The ground is not held off with it: a
background covers the whole panel, and only what is arranged on it has
a margin. No stored panel loses a row to it.
**The rail is drawn on the panel.** It was chrome bolted to the edge of
the screen beside the canvas — in the app's own design rather than the
dashboard's, and on a scaled canvas not even lined up with it. It now
takes a column out of the canvas the way the margin does, scaled with
it and wearing its look. Which cell each widget sits in is unchanged;
only how big a cell is.
Two of these were the same mistake twice: an unlayered rule stating
`position` for everything wearing a class — `.gl-surface` on a rail
placed by a utility, and a blanket lift over every child of a pressable
on a pill placed by `layoutId`. Both now say it one element at a time.
A dashboard is a wall panel somebody hangs in their own hallway, so it
now wears what they choose: a look, and a palette of their own colours.
Two complete component sets live under `Dashboard/ui/` — `glass`
(translucent panes over a slowly moving ground) and `material` (Material
3 tonal cards) — behind one prop contract. Every control's state,
keyboard and `aria-` live in `ui/core` and are shared, so the two sets
are the same dashboard drawn twice rather than two products: a set only
decides what a control looks like while doing it.
Four settings join the channel, each drivable by a flow like any other:
`look`, `palette`, `background` and `touch`. A palette is an ordered list
of hex colours — background, surface, primary, accent, text, then more
chart colours — pasted from a coolors.co link or typed, written onto the
canvas as the token variables everything already reads. Trailing roles
are derived, so three colours are a whole dashboard, and derived text is
held to AA rather than trusted (`theme.check.ts` measures it). A palette
also decides light or dark, since its first colour is the ground.
Widgets are measured against their own tile with container queries rather
than against the viewport, animate through `motion`, and can be drawn
without their title. The three reworks:
- a bar draws a row per reading, up to eight, each in the dashboard's own
data colours and each able to carry its own scale — replacing readings
nested in one fill, which could only ever share one colour and stop at
three. Documents written the old way are read as rows.
- a chart's range picker moved to a column down its right-hand edge, which
gives the plot back a whole row of a short tile.
- the colour wheel became a disc: hue is the angle and saturation the
distance from the middle, so a colour is one gesture rather than three,
with brightness on a slider beside it.
`index.css` and `lib/motion.ts` are untouched — the dashboard overrides
token *values* on its canvas, never the blocks the two repos share.
A dashboard canvas is CSS-scaled to fit its panel while uPlot maps the
pointer against its own unscaled plot width, so the cursor drifted further
right the further into a chart it went. A `cursor.move` refiner divides the
visual offset back into layout pixels; unscaled hosts get a no-op.
A querying chart's range picker moves onto the frame's title line through a
new `useHeaderSlot`, giving the plot back the row it spent. The editor's drag
handle is the header, so the picker is exempted from it.
Charts can be drawn as a monotone cubic spline — uPlot's own path builder,
monotone so a smoothed line never invents a reading between two real ones.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_016ZeGnqVsf5VHQqvz4HdUhN
A dashboard could only ever receive as a set of tiles. This adds the dashboard
itself as a receiver: `settings` maps a name to a value plus an optional
binding. Unbound, the setting is simply its value — a wall panel that is always
dark costs no flow. Bound, a flow drives it live and the value is the fallback.
Two settings are wired: `theme` (system/light/dark) and `locked` (read-only).
There is no schedule field on purpose — a node publishing to the bound message
on a cron is what a schedule is here, which is the point of a channel.
- `messages_for()` now walks a dashboard's bound settings as well as its
widgets' bindings. Without this a paired screen is refused its own theme
message, on the one surface the setting exists for; it bounds the socket too.
- `locked` is gated in `usePublish`, so every control inherits it, and each
control also draws itself disabled — a dead button reads as broken otherwise.
The panel surface says Read-only in the corner.
- The theme is a class on the dashboard's own surface, never the root: inside
the app shell it must not flip the chrome. `.light` gains the tokens `.dark`
already had (mirrored in the index repo) so both directions work on a subtree.
- Settings bindings are type-checked from the document alone, the rule widget
bindings follow, and mirrored on the server.
- A bound setting is drawn on the flow canvas as a dashboard-level endpoint.
- The demo's house flow now publishes `home.panel_theme`, which the demo
dashboard's theme binds to: the panel goes dark after sunset, at no tile cost.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_018tULRZJUkZsw7rMJ3h4xvu
A custom hue ring — a conic gradient, not a canvas — with saturation and
brightness sliders beside or under it depending on the tile's shape, sized
for a wall panel and reachable from a keyboard. It publishes [h, s, v] by
default, which is what the reference installation's DMX encoders read, and
`format` switches that to [r, g, b] or "#rrggbb".
`usePublish` moves to its own module so a widget in a file of its own can
reach it without importing `widgets.tsx` back.
An input widget published over HTTP and read the result back over the socket,
so between the two it drew the pre-publish value — a slider handle let go of
visibly snapped back. usePublish now holds the sent value until the echo
matches, the publish is refused, or 3 s pass, and every input widget (button,
switch, slider, input, dropdown) draws that instead of the live value.
A publish in flight pulses a primary ring over the tile: an absolutely
positioned, inert overlay, so nothing resizes or shifts. A refusal drops the
hold and toasts, naming the message. Success stays silent.
The slider also draws its own scale — min, max and a few labelled stops that
land on steps — replacing the unlabelled datalist marks that dropped out past
fifty steps.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_018tULRZJUkZsw7rMJ3h4xvu
A bar drew its nested reading on top of the outer one in --chart-5, which
measures 2.53:1 against --primary and lost the 3:1 guideline for non-text. The
readings now partition the fill end to end, up to three of them, in a token of
their own: --primary-nested, the primary hue a few steps deeper, 3.14:1 light
and 3.12:1 dark. It cannot also clear 3:1 against --muted — in dark those two
are 5.82:1 apart and a colour 3:1 from both would need a 9:1 gap — so a segment
is drawn inside a gutter of outer fill rather than ever bordering the track,
which is what separates neighbours too, and what caps the count at three. A
nested value larger than its outer used to spill onto the track; it is clamped.
`inner` still reads as a single binding, so no dashboard needs migrating.
On a phone, .widget-grid took its width from the widest thing any widget held —
a truncating flex item still offers its whole unwrapped line as a min-content
contribution — and a handful of widgets had no floor of their own: the uPlot
legend is a table, a fieldset carries min-inline-size: min-content from the UA
sheet, and buttons are whitespace-nowrap. Each is capped now. A widget's body
scrolls rather than clipping, so long text stops painting over the title.
Gauges and bars move between readings instead of jumping, and a segmented
control slides one thumb rather than recolouring cells. The gauge arc is drawn
whole and revealed by its dash, because `d` cannot be transitioned.
UplotChart pushed new readings only when the point count changed, so once a
rolling window was full a refetch left the old values on screen.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01Uq8mtNb97A7praJLyeEYgs
Give the Home flow-activity name cell a `sm:min-w-32` floor beside its
`max-w-0` cap, so an ordinary name reads in full where there is room
while the phone keeps today's truncation. Name the bar widget's nested
reading by its port rather than its qualified message. Correct
`MarkdownWidget`'s docstring to the subset it actually renders.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01SKL7sUgNWhukDEz95vSMQv
Plumbing only: the widget-type literal and its dtype table on both sides,
the regenerated client, a curated lucide map and four stubs the renderers
are wired to. Also a latching switch and a segmented dropdown, both a
`style` on the control that already publishes and reads back, plus the
option editor a dropdown never had.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01HTsT1isxUjw5gtkJk8WhuA
The canvas lays itself out: a layered graph, left to right on a desktop and
top to bottom on a phone, with room reserved for the value each edge carries.
Nodes cannot be dragged and `NodeDef.position` is gone from the document —
a graph nobody can arrange is one worth keeping small, which is what keeps
flows atomic. Endpoints join the same layout, so their lanes and the
localStorage that remembered where they were dragged go too.
Mobile, per the new Responsive section of DESIGN-GUIDELINES.md: the dock caps
its width and wraps instead of running off the screen, the dashboard stacks
into one column rather than shrinking a wall panel to a fifth of its size, and
Home stops widening its grid track past the viewport. A Playwright project at
a phone's width fails the build when a screen no longer fits.
Along the way: publish is the checkmark that was already there rather than a
button that appears and disappears, with discard beside it on both the flow
and the dashboard; the brain reveals a neuron's name on the first tap; and the
port sparklines get room to breathe.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01VDSXaRhvqHYNevgDGmNAto
The frame centres a single reading, which is right for a gauge and wrong
for a list.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
A series, record or list message declares its shape instead of riding
DType.JSON, so a widget binds a shape rather than some JSON and a wrong
binding is refused before anything runs. A list declares its item type,
which is what keeps list[float] expressible for a pipeline.
On top of that: an agenda over a list, a notification over a record, and
a dashboard alert channel that publishes engine faults as one — so a
panel can show what went wrong without a flow wiring it by hand.
Also: only None means a node published nothing, a falsy value of the
wrong shape is now the named error it always should have been; and the
gauge's readout says its size is viewBox geometry rather than type scale.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
One shell for both editors. Flows and dashboards each get a searchable
overview under the padded shell, their editors move to the full-bleed
canvas, and the floating chrome is shared: a title bar that only says
what you are looking at, and a bottom dock carrying everything else —
the flow bar's status, settings and Publish moved down there, the
add-flow button moved to the overview.
Dashboards gain the rest of M4's visualization work:
- widgets are picked by clicking them, with the header as the drag
handle so a slider still slides and a switch still flips while
editing; settings moved into the flows' SidePanel
- react-grid-layout for drag and edge-resize, so the stored x/y finally
mean something; a dashboard nobody arranged is shelf-packed once
- a per-dashboard grid size, so a panel can be matched to its screen
- the chart widget, drawn with uPlot: several messages on one axis, fed
from the stored history plus the live socket tail, coloured from the
new --chart-1..5 ramp
- /view/{name}: the URL a wall panel is pointed at — no sidebar, no
footer, no editing, and no editor code, since routes are split
- a widget wired to a payload type it cannot carry, or wired to nothing
at all, carries the same red dot a failing node does; the picker
records the type it bound and WidgetDef refuses a mismatch on save
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01H7LwYgJfpkbLCTeiAf8U4A
Moving a dashboard slider lit up an edge between two nodes that had done
nothing. The canvas pulsed on the message's timestamp alone, and a message
has no idea who published it — so it credited whichever node happened to
be drawn as a producer.
That was never only about dashboards. Two nodes producing one message
pulsed both their edges whichever fired, and a message produced in another
flow changed with nothing on screen to account for it at all.
Values now carry their cause: a node, a dashboard widget, another flow, an
agent or an API caller. An edge pulses only for the producer that actually
published, and the edge inspector says where a value came from when it did
not come from a node.
What is not a node in this flow is now drawn as one — a label rather than
a card, because a dashboard with twenty tiles would otherwise bury the
logic the canvas exists to show. That covers cross-flow wiring too, which
is the link in/out affordance that has been missing.
They are never part of the document. They join at render, after everything
that reads or writes the canvas nodes, so an autosave, an undo or a delete
cannot reach them — with a Playwright test that drags a node and asserts
the stored flow still holds exactly what it did.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_011LF61rxW1FG5YCD2J9YqjY
Widgets bind to a message name and read it live off the socket the editor
already had — lifted out of the flow editor so a dashboard route gets the
same values, which also gives the home page live data for free.
The input widgets close the loop the other way: a slider publishes into
the graph and whatever consumes that message runs. Verified end to end in
the running app — moving a slider set a flow input, and the stat bound to
what the flow computed from it followed.
View mode is plain CSS grid. A wall panel that only displays should not
download the code that lets someone drag things around, and it now does
not. Editing is a widget picker, a per-widget width control and a
settings card fed by the message catalog.
No new dependencies: the slider is a range input, the gauge is an arc,
and the markdown is a five-line subset. Charts are the one widget still
missing — they need a charting library and the chart tokens the design
guidelines reserved — so they are stored and validated but not offered.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_011LF61rxW1FG5YCD2J9YqjY
stroblmeandClaude Opus 5